Unlike Handel’s other organ concertos, HWV 292 is not a transcription of a work for a different solo instrument, but was conceived from the outset as part of the oratorio Athalia. Its fourth  movement leads seamlessly into a Hallelujah chorus that was only later replaced  by an Adagio  ending for publication purposes. Thanks to the relative simplicity of the  chorus, our volume  makes a useful addition to the material already published for this concerto (BA  8344).<br>