Some of  Beethoven’s most enduring and unabashedly successful works stem from his so-called “Middle Period” and in the genre of chamber music, the quartets op.  74 and 95  together with the recently issued op. 59 quartets complete this period.  Jonathan Del Mar’s scholarly critical  edition of  quartets  op. 74 and 95 sets the record  straight  once and for all, restoring Beethoven’s articulation, dynamics and lengths of  slurs as the  composer originally intended.<br>
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 The interdependency of the sources and their readings are clearly  laid out by Del Mar in his Critical Commentary, which also contains facsimile pages pointing out ambiguities with previous editions.<br>
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 - Bärenreiter quality Urtext<br>
 - Critical Commentary (Eng) with  facsimiles<br>
 - Study score  includes historical introduction (Ger/Eng) by Barry Cooper<br>
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