Each volume in this complete edition of Froberger’s works is published in German and English with a Critical Commentary as well as a detailed Foreword with sections on the edition’s scope and subdivisions, the editorial method and performance practice. Also notes on contemporary instruments, ornamentation as well as details on Froberger’s biography are included.<br>
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Volume V.2 (like volume V.1) contains the musical text from the anonymous 17th century transcription returned to the Berlin Sing-Akademie from Kiev in 2001.<br>
It is divided into works of definitive authenticity, new readings, and two appendices containing works of doubtful authenticity and spurious arrangements.<br>