The court organist Antonio de Cabezón, who was appointed to Queen Isabella’s court chapel in  Toledo at the young age of 16, was rightly regarded by his contemporaries as the leading Spanish organist and keyboard player of the 16 th  century. His hymns  and versets are based on  short, decorated harmonisations of the psalm tones. In the tientos, the  transformation from vocal  motet style to a style of writing suitable for keyboard instruments is perfectly  executed.<br>
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This Urtext edition contains a selection of Cabezon’s best known works and will consist of four volumes. It has been prepared by two editors working at Portuguese and Spanish universities who are both leading scholars of the works of Cabezón and reflects the latest  research findings.<br>